-A darkly enriching thriller starring the always-reliable Rachel Weisz, and a frustrating debut from Eleanor Coppola.
Continue reading “Indie Double Feature: “My Cousin Rachel” and “Paris Can Wait””
-Two controversial movies from earlier in 2017.
Continue reading “Rental Revisit: “A Dog’s Purpose” and “The Great Wall””
-The start of the “Dark Universe” is pretty hit and miss, while It Comes at Night manages to be fairly thrilling, even if it isn’t what you’d expect.
Continue reading “Summer Horror Double Feature: “The Mummy” and “It Comes at Night””
-An interesting take on aging romance and Brad Pitt’s newest war satire.
Continue reading “Indie Double Feature: “The Lovers” and “War Machine””
-An occasionally effective, but mostly stale, mainstream horror flick, and the newest horror/thriller in an ever-growing catalog from A24.
Continue reading “Rental Revisit: “The Bye Bye Man” and “The Blackcoat’s Daughter””
-The DCEU’s newest installment is a breath of fresh air compared to its predecessors, and may be the best comic book movie of the last five years.
Blended Opinion 