-Quick hitters on a grouping of Netflix originals and recent rentals.
RENTALS:
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THE NUN
-Boring, predictable, and never scary. It feels like you’ve seen it before. ![]()

THE MISEDUCATION OF CAMERON POST
-Well-acted and had a nice sense of realism. Occasionally drags. ![]()

DON’T WORRY, HE WON’T GET FAR ON FOOT
-Simultaneously dark and joyful, and features a really good Jonah Hill performance. ![]()

REVENGE
-Violent, bloody, and masterfully thrilling. ![]()

JULIET, NAKED
-Feels desperate for the intelligentsia to enjoy. 

MILE 22
-The weakest of the Peter Berg/Mark Wahlberg collaborations. 
NETFLIX:

6 BALLOONS
-Well acted movie with stakes dampened by odd visual motifs. 

APOSTLE
-A diverting blend of various genres into a messy whole. 

CALIBRE
-A really rich and understated thriller. ![]()
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CAM
-Made me sufficiently uncomfortable and tackled some taboo. ![]()

CARGO
-Fits in the sub-genre where the people take precedent over the zombies. ![]()

HOLD THE DARK
-Surprisingly violent and has great atmosphere despite moving slowly. ![]()

THE LAND OF STEADY HABITS
-Brilliantly written and acted, has stuck with me since watching it. 

MOWGLI: LEGEND OF THE JUNGLE
-Cool to the hear the voices of so many famous actors, but the story is uninspired. ![]()

PRIVATE LIFE
-A really sad and grueling story, but it’s extremely cogent. ![]()

TO ALL THE BOYS I’VE LOVED BEFORE
-A breezy summer rom-com that’s damn enjoyable. ![]()
(In addition, I did watch the finished restoration of Orson Welles’s The Other Side of the Wind, which I found pretty compelling.)
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