-A new summer shark thriller and a terrific vehicle for Bryan Cranston.
Continue reading “Late Review Double Feature: “47 Meters Down” and “Wakefield””
-Edgar Wright’s action comedy is the best film of the year so far.
-An occasionally beautiful story about time and the newest dramatic turn from Arnold.
Continue reading “Rental Revisit: “The Sense of an Ending” and “Aftermath””
-A darkly enriching thriller starring the always-reliable Rachel Weisz, and a frustrating debut from Eleanor Coppola.
Continue reading “Indie Double Feature: “My Cousin Rachel” and “Paris Can Wait””
-Two controversial movies from earlier in 2017.
Continue reading “Rental Revisit: “A Dog’s Purpose” and “The Great Wall””
-The start of the “Dark Universe” is pretty hit and miss, while It Comes at Night manages to be fairly thrilling, even if it isn’t what you’d expect.
Continue reading “Summer Horror Double Feature: “The Mummy” and “It Comes at Night””
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