-The start of the “Dark Universe” is pretty hit and miss, while It Comes at Night manages to be fairly thrilling, even if it isn’t what you’d expect.
Continue reading “Summer Horror Double Feature: “The Mummy” and “It Comes at Night””
-An interesting take on aging romance and Brad Pitt’s newest war satire.
Continue reading “Indie Double Feature: “The Lovers” and “War Machine””
-An occasionally effective, but mostly stale, mainstream horror flick, and the newest horror/thriller in an ever-growing catalog from A24.
Continue reading “Rental Revisit: “The Bye Bye Man” and “The Blackcoat’s Daughter””
-The DCEU’s newest installment is a breath of fresh air compared to its predecessors, and may be the best comic book movie of the last five years.
-The dumbest and most poorly edited comedy in recent memory meets the ultimate dopey teen movie.
Continue reading “Guilty Pleasure Double Feature: “Baywatch” and “Everything, Everything””
-The year’s first rental revisit is a crime drama that shows an undiscovered part of abject poverty and a drama that studies one of the strangest conversions in recent memory.
Continue reading “Rental Revisit: “Trespass Against Us” and “I Am Michael””
Blended Opinion 